Metropolis is one of the greatest films ever made. It's amazing set design, brilliant cinematography, groundbreaking special effects and futuristic story truly makes it one of the must-sees in cinema! It is set in the future, in a city called Metropolis where the citizens are divided into two groups: workers (who live under the ground and are working 10 hour shifts by enormous machines that keeps Metropolis working) and the royals (living in luxury in the great city on the surfice). And over them all, is the creator of Metropolis: Joh Fredersen (Alfred Abel). His son Freder (Gustav Fröhlic…
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Metropolis
Overview
In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.
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Release date
10/01/1927
Votes
3,146
Popularity
6.5
Gustav Fröhlich
Freder Fredersen
Brigitte Helm
Maria / The Machine Man
Alfred Abel
Johann 'Joh' Fredersen
Rudolf Klein-Rogge
C.A. Rotwang
Theodor Loos
Josaphat
Fritz Rasp
The Thin Man
Erwin Biswanger
No. 11811 - Georgy
Heinrich George
Grot
Fritz Alberti
Creative Human - Man Who Convinces Babel (uncredited)
Grete Berger
Working Woman (uncredited)
Olly Boeheim
Working Woman (uncredited)
Heinrich Gotho
Master of Ceremonies (uncredited)
Gottfried Huppertz
Man Playing Violin (uncredited)
Georg John
Working Man Who Causes Explosion of M-Machine (uncredited)
Margarete Lanner
Woman of Eternal Gardens / Lady in Car (uncredited)
Rose Lichtenstein
Working Woman (uncredited)
Hanns Leo Reich
Marinus (uncredited)
Arthur Reinhardt
Working Man (uncredited)
Curt Siodmak
Working Man (uncredited)
Henrietta Siodmak
Working Woman (uncredited)
Olaf Storm
Jan (uncredited)
Rolf von Goth
Son in Eternal Gardens (uncredited)
Helen von Münchofen
Woman of Eternal Gardens (uncredited)
Helene Weigel
Working Woman (uncredited)
Anita Berber
Maria Double
Original Soundtrack
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This has got to be the ultimate cinematic illustration of the strata of human existence. Whether it be a story of the survival of the fittest; the cleverest; the most devious; most beautiful - or a hybrid of some/all - it reflects poignantly how humanity always seeks to exist within a hierarchical structure (merited or otherwise, but perfectly epitomised here by the matriarchal, deific robot), but how much more effectively mankind can succeed if it accepts and values everyone and works together. It also clearly identifies the perennial problem of those with the brain always ending up far more …
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