The End We Start From

FULL SPOILER-FREE REVIEW @ https://fandomwire.com/the-end-we-start-from-bfi-film-festival-review/ "The End We Start From marks debutant Mahalia Belo as a filmmaker to follow closely in the coming years, despite the story not being imaginative or impactful enough to reach a higher level of satisfaction. With a substantial thematic sense, maternal symbolism is portrayed through Belo's contemplative vision, as well as Susie Lavelle's atmospheric cinematography. However, it's up to Jodie Comer and Katherine Waterston to carry the movie on their shoulders, which, unfortunately, lacks a better…

CinemaSerf

2023-12-24

⭐ 6

With a fairly biblical storm raging outside, an heavily pregnant mother (Jodie Comer) is sitting at home watching the telly. Power goes out, waters break then the struggle to get boyfriend (Joel Fry) and ambulance to hospital is the start of their woes. Leaving, they discover that huge swathes of England are under water so they head to higher ground and his parents. Fortunately, they have had a long ridiculed bit of a siege mentality so there's plenty of food but that's about all as the family units begin to disintegrate, just as society is doing at large elsewhere. The couple become separated…

Kate

2024-02-07

⭐ 8

Environmental apocalypse survival story? Sign me up! I loved this movie. You don't often see mom's of newborns as the bravest people on the screen. Yet, true to life, don't mess with a mama bear! Whenever I watch something I look for clues if a woman wrote it or not. With this one I was 100% it was written by a woman and pleased to find out it was two! Also, a woman director, first feature, yay! I can tell the difference between how we write ourselves. I loved the chemistry between Comer & Waterston. I had never seen the latter actor before and this performance made we want to do a deep dive i…

"The End We Start From", is carried more by quality performances, than a sterling script. On first inspection this looks like a apocalyptic, survivalist film but that soon gives way to what is, essentially, an interpersonal drama. Its not a terribly original proposition. It's script is not doing anything new or even overly clever. I will say, its at times, austere tones, can feel, a little emotionally burdensome. The key reason this film works, in spite of its shortcomings, is the outstanding performance, handed in, by Jodie Comer, as a mother looking to reunite her family. Come…