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All We Imagine as Light

All We Imagine as Light

6,8 /10 (241 Votes)
2024 ML 118 min

Overview

In Mumbai, Nurse Prabha's routine is troubled when she receives an unexpected gift from her estranged husband. Her younger roommate, Anu, tries in vain to find a spot in the city to be intimate with her boyfriend. A trip to a beach town allows them to find a space for their desires to manifest.

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Release date

21/09/2024

Votes

241

Popularity

4.4

Genres

Status

Released

Original title

പ്രഭയായ് നിനച്ചതെല്ലാം

Language

ML

Runtime

118 min

Revenue

$3,010,117

Original Soundtrack

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CinemaSerf

CinemaSerf

2024-11-30

⭐ 7

"Prabha" (Kani Kusruti) is a nurse in a busy Mumbai hospital who shares her tiny apartment with the usually skint "Anu" (Divya Prabha). We quickly learn that she is married but her husband left her some while ago to work in Germany and she hasn't heard from him in over a year. "Anu", on the other hand, has a different emotional problem. She has fallen in love with a young Muslim man "Shiaz" (Hridhu Haroon) but knows full well that neither her colleagues nor her family will ever permit such a relationship, let alone any marriage - so perhaps elopement is their only solution. Meantime, whilst th…

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griggs79

griggs79

2024-12-01

⭐ 6

_All We Imagine as Light_, a visually delicate exploration of intimacy, displacement, and the quiet search for connection, has earned the prestigious Grand Prix at Cannes. Set in Mumbai, the film follows the lives of three women working in a hospital as they navigate the complexities of their personal lives and fleeting moments of closeness. The film's serene atmosphere, like a gentle breeze, and ethereal cinematography create a meditative mood that resonates deeply with viewers seeking emotional introspection. Despite its accolades, _All We Imagine as Light_ feels more like a familiar echo…

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B

Brent Marchant

2024-12-16

⭐ 4

Invariably, there’s always one film release each year that’s vastly and inexplicably overrated, both in terms of critical acclaim and awards season recognition, and this disappointing, tediously paced slog tops my list of candidates for 2024. Writer-director Payal Kapadia’s examination of contemporary working class conditions in Mumbai follows the stories of three women who struggle with getting by financially, vocationally and personally, all of them having relocated to the city from their rural roots in search of illusory, overpromised opportunities. The picture has been widely praised for i…

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