Okay, I get it. This movie is artistic. Plot and character development are secondary, irrelevant even perhaps. The film is about visual snapshots, emotional memories that are alternately nostalgic or slightly painful. But I think the movie tries so hard that it fails to entertain, choosing to assume that if you don’t like it, that is okay, because it means you don’t “get” it.
For example, do we really need the camera to linger on an empty scene like a stairway for 15 to 30 seconds after someone has walked up them? What does that add to the emotional impact of the film? And how illustrative …
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Why this this didn’t get even one BAFTA nomination is quite a puzzle as it’s a beautiful piece of cinema that uses it’s own industry’s nostalgia to paint a picture of a young boy longing for that intangible something we all want as our teens loom large. This story is set in a Liverpool still recovering from the end of the war, and where the young “Bud” (Leigh McCormack) lives with adoring mum (Marjorie Yates) and his three siblings. He is a quiet lad, and of course that earns him the enmity of the bullies at his local Catholic school where the cane is as much the currency as then pen. It’s not…
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