The Green Mile

Wuchak

2024-04-08

⭐ 9

**_A Masterpiece of Cinematic Art -- Captivating and Reverent_** The head Death Row guard at a Tennessee prison during the Depression (Tom Hanks) observes a new inmate, a black man named John Coffey (Michael Clarke Duncan), who is condemned to death for the rape and murder of two little girls. He and his fellow guards become intrigued by the gentle giant and conclude that there's no way he could be guilty of the crime. Who, then, is guilty? And will the guilty party get away with it. "The Green Mile" expertly mixes film genres: It's part prison flick, part supernatural mystery and part d…

CinemaSerf

2024-04-29

⭐ 7

"Edgecomb" (Tom Hanks) is in charge of the prison officers who tend to the inmates on death row. He's a decent man who, with the help of his partner "Howell" (David Morse) tries to carry out his task as humanely as possible. Their team also numbers the truly odious "Percy" (Doug Hutchinson). He's an incompetent coward, but he also happens to be the nephew of the state governor, so tends to get away with his obnoxiousness towards the prisoners. That nasty behaviour becomes more pronounced when the giant "Coffey" (Michael Clarke Duncan) arrives. Also newly arrived is a small mouse which befriend…

Great acting by everyone involved, but the story is just not my cup of tea. If you like fake miracles (no shortage of people that do) and fantasy storylines, like prison guards that are humane and empathic (on death row nonetheless), then you might enjoy this more. I, however, will stick to more realistic fantasy, like mages fighting orcs and that sort of thing, and leave this in the trash pile of conservative media.

griggs79

2025-06-24

⭐ 6

_The Green Mile_, directed by Frank Darabont and based on a Stephen King story, revisits prison life with a spiritual edge. Tom Hanks is steady, while Michael Clarke Duncan brings real heart. Set almost entirely on Death Row, its slow pace mirrors the routine and inevitability of execution. The soft lighting and measured camerawork add a quiet melancholy. At over three hours, it’s powerful but indulgent—moving at times, but it does test your patience.