Widely touted as one of the all-time great works of cinema, Federico Fellini’s 8½ is an elusive film about even more elusive things. It’s a meaningfully chaotic picture about trying to distil meaning from chaos and it’s a creative success about creative failure. It chronicles the resonant moments in one man’s life and admits that it can’t quite clarify why they matter. Doing justice to its early working title of The Beautiful Confusion, 8½ is a daring high wire act and an outstanding technical achievement that channels its story of artistic crisis into something sweepingly, uniquely profound. …
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8½
Overview
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.
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Release date
14/02/1963
Votes
2,556
Popularity
5.9
Marcello Mastroianni
Guido Anselmi
Claudia Cardinale
Claudia
Anouk Aimée
Luisa Anselmi
Sandra Milo
Carla
Rossella Falk
Rossella
Barbara Steele
Gloria Morin
Madeleine Lebeau
Madeleine, the French Actress
Caterina Boratto
Mysterious Lady
Eddra Gale
La Saraghina
Guido Alberti
Pace, the Producer
Mario Conocchia
Conocchia, the Production Manager
Bruno Agostini
Bruno, the Second Production Secretary
Cesarino Miceli Picardi
Cesarino, the Production Supervisor
Jean Rougeul
Carini, the Film Critic
Mario Pisu
Mario Mezzabotta
Yvonne Casadei
Jacqueline Bonbon
Ian Dallas
Maurice, Maya's Assistant
Mino Doro
Claudia's Agent
Nadia Sanders
Nadine, the Hostess
Georgia Simmons
Guido's Grandmother
Edy Vessel
Hedy, The Model
Tito Masini
The Cardinal
Annie Gorassini
Producer's Friend
Rossella Como
Luisa's Friend
Mark Herron
Luisa's Suitor
Marisa Colomber
Guido's Aunt
Neil Robinson
The French Actress's Agent
Elisabetta Catalano
Matilde, Luisa's Sister
Eugene Walter
The American Journalist
Hazel Rogers
La negretta
Gilda Dahlberg
American Journalist's Wife
Mario Tarchetti
Claudia's Press Office
Mary Indovino
Maya, the Clairvoyant
Frazier Rippy
The Lay Secretary
Francesco Rigamonti
Luisa's Friend
Giulio Paradisi
A Friend
Marco Gemini
Guido as a Child
Giuditta Rissone
Guido's Mother
Annibale Ninchi
Guido's Father
Dina De Santis
Dina (uncredited)
Eva Gioia
Eva (uncredited)
Maria Tedeschi
School Director (uncredited)
Antonio Acqua
A Man in a Car (uncredited)
Giulio Calì
A Man in the Mud (uncredited)
Franco Caracciolo
Young Priest (uncredited)
Olimpia Cavalli
Olimpia (uncredited)
Sonia Gessner
(uncredited)
Mathilda Calnan
Luisa's Friend (uncredited)
Nadia Balabine
Priest Teacher (uncredited)
John Karlsen
Original Soundtrack
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**Fellini, deconstructed, improvised and enshrined in a film that (not) pleases everyone.** I'm not a fan or deep connoisseur of Italian cinema, but I've heard of Federico Fellini, and I know that this film is considered one of this director's best films. I haven't seen any of his films yet: this was the first. And honestly, I don't quite understand this fascination: the film is chaotic! I think that, unless someone is an expert in cinema, the vast majority of people who saw the film did not understand it, but then said that it was very good just to avoid being criticized. I'm glad I don't …
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Acclaimed director "Guido" (Marcello Mastroianni) is looking for a peaceable life after his last successful movie, but at every turn he is being pursued by people who want to capitalise on the success. He just hasn't the inspiration though - and determined not to just churn out any old rubbish, retreats to a small town for some rest, recuperation and hopefully inspiration. He in also rather reaping what he sowed as his wife "Luisa" (Anouk Aimée) and her rival "Claudia" (Claudia Cardinale) are vying for his increasingly frayed attentions and that makes any chance of concentration almost impossi…
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