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Sugar Hill is considered the second installment in scripwriter Barry Michael Cooper’s “Harlem Trilogy.” It is also the weakest link, not necessarily a bad thing when the chain also includes New Jack City and Above the Rim (we may, to a certain extent, attribute the varying quality among the three films to being each directed by a a different filmmaker); unfortunately, it isn’t all that good in a vacuum either. Lacking the originality of New Jack, Sugar Hill could be described as The Blackfather (I would also accept Blacklito’s Way), although it reaches much farther back than that; the film …
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