King Creole

John Chard

2019-09-05

⭐ 8

Elvis Noir as Rock N Roll comes to the King Creole. King Creole is directed by Michael Curtiz and adapted to screenplay by Herbert Baker and Michael V. Gazzo from the novel A Stone for Danny Fisher written by Harold Robbins. It stars Elvis Presley, Carolyn Jones, Walter Matthau, Dolores Hart, Dean Jagger, Vic Morrow, Paul Stewart and Jan Shepard. Music is scored by Walter Scharf and cinematography by Russell Harlan. Plot finds Presley as Danny Fisher, a high school student struggling at school who falls in with the wrong crowd just as family matters of the heart start to take a hold. He …

Wuchak

2020-11-07

⭐ 5

_**Elvis living on Bourbon St. in New Orleans**_ In New Orleans, Danny Fisher (Presley) fails to graduate high school for the second time and so uses his singing talents at nightclubs to provide for his destitute father and sister. Walter Matthau plays a shady nightclub baron while Carolyn Jones plays his floozy. “King Creole” (1958) mixes the Elvis formula with B&W film noir. Despite the name, don’t expect any bayous; the story takes place entirely in and around the Bourbon St. district of New Orleans. Touted as one of the best Presley flicks because it’s a relatively dark & serio…

CinemaSerf

2022-06-29

⭐ 7

Holyrood certainly didn't stint on the resources it put into this outing for Elvis. Michael Curtis took the helm and Harold Robbins provided the original novel as we follow the escapades of "Danny Fisher". He is a skint college flunkey who takes a job in the eponymous club. His boyish charms and his moves delight the audience, and they also attract the mischievous temptress "Ronnie" (Carolyn Jones) - who just happens to be the mistress of the club's dodgy owner "Maxie" (Walter Matthau). Dangers looms, but when he realises that there is money to be made with his crooning - for the right people …

In this outing, Presley plays Danny Fisher, a kid from New Orleans. Danny is a troubled youth, and is hired by not one, but two nightclubs as a singer. This is Presley’s finest attempt at real acting.