As time goes by, I'll always appreciate my Grade 10 English class (1984-85), taught by Mr. Terry. Looking back, it's probably the year that I was introduced to the most great literary works of all my life (especially 'Anthem' by Ayn Rand and 'Nausea' by Jean-Paul Sartre). Included that year in the course's curriculum was Anthony Burgess' dystopian masterwork, 'A Clockwork Orange' (as well as George Orwell's 'Animal Farm'--like Frank Sinatra would have said, 'It was a very good year'). I was mesmerized with it from the instant I noticed the unique approach to language, the 'ultraviolence' and o…
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A Clockwork Orange
Overview
In a near-future Britain, young Alexander DeLarge and his pals get their kicks beating and raping anyone they please. When not destroying the lives of others, Alex swoons to the music of Beethoven. The state, eager to crack down on juvenile crime, gives an incarcerated Alex the option to undergo an invasive procedure that'll rob him of all personal agency. In a time when conscience is a commodity, can Alex change his tune?
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Release date
28/10/1971
Votes
13,969
Popularity
14.5
Malcolm McDowell
Alex
Patrick Magee
Mr. Alexander
Carl Duering
Dr. Brodsky
Michael Bates
Chief Guard
Warren Clarke
Dim
James Marcus
Georgie
Michael Tarn
Pete
Miriam Karlin
Catlady
Adrienne Corri
Mrs. Alexander
Sheila Raynor
Mum
Philip Stone
Dad
Aubrey Morris
Deltoid
Clive Francis
Lodger
John Clive
Stage Actor
Paul Farrell
Tramp
Michael Gover
Prison Governor
Godfrey Quigley
Prison Chaplain
Madge Ryan
Dr. Branom
Anthony Sharp
Minister
Pauline Taylor
Psychiatrist
Margaret Tyzack
Conspirator
Steven Berkoff
Det. Const. Tom
Lindsay Campbell
Police Inspector
David Prowse
Julian
Barrie Cookson
Dr. Alcott
Jan Adair
Handmaiden in Bible Fantasy
Gaye Brown
Sophisto
Peter Burton
Junior Minister
John J. Carney
Detective Sergeant
Alec Wallis
Conspirator D.B. Da Silva
John Savident
Conspirator
Vivienne Chandler
Handmaiden in Bible Fantasy
Richard Connaught
Billyboy
Prudence Drage
Handmaiden in Bible Fantasy
Carol Drinkwater
Nurse Feeley
Lee Fox
Desk Sergeant
Cheryl Grunwald
Victim of Billyboy's Gang
Gillian Hills
Sonietta
Craig Hunter
Doctor
Shirley Jaffe
Nurse
Virginia Wetherell
Stage Actress
Neil Wilson
Prison Check-in Officer
Katya Wyeth
Girl in Ascot Fantasy
Jack Arrow
Mustachioed Ludovico Technician (uncredited)
Shane Shelton
Burbling Boy (uncredited)
Norman Gay
BBC Producer (uncredited)
Katharina Kubrick
Girl Passing Alex in the Record Store (uncredited)
Glenys O'Brien
Brunette Girl (uncredited)
Original Soundtrack
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Some great visuals and direction not to mention an incredible performance from Malcolm McDowell, I wasn't totally into this, the first half especially was taxing to get through to the point I stopped watching and only finished a couple days later. The rest was good and found myself a bit more engaged however as a whole, this one never grabbed me. **3.5/5**
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With this film, a world heritage of cinema, Stanley Kubrick has reached a level of artistic mastery that would make Michelangelo pale in comparison. To make a film an art form, it must have the innovation of a Chaplin or Jean-Luc Godard. Furthermore, for a film to be a masterpiece, it must have music, direction, and great performances by the cast. Nevertheless, this film easily fulfills these requirements, and miraculously, it is a perfect work of art, with outstandingly high quality visual beauty far above the audience. For 136 minutes, one feels as if one has stepped into an exhibition of pa…
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This is a truly challenging film that routinely glorifies violence - especially towards women, and offers us a terrifying appraisal of the effects of unfettered government and science working in cahoots with each other. Fifty years on from it's groundbreaking release, it's great to watch this on a big screen again - and though the imagery is much less potent that it was in 1971, the performance from Malcolm McDowell is scarily compelling. The plot centres around him and his three sadistic cohorts who live a disparate life terrorising wherever they roam until finally they go a little too far an…
Read full review →The film is based on Anthony Burgess‘ novel about young Alex Delarge and his droogs who go around tolchocking people and partaking of the ultraviolence and the old in-out-in-out. Yes, the language is a futuristic mix of Russian, slang and made-up words that Burgess employed so that the futuristic language employed would never sound dated. He called it Nadsat. By the end of the film, for better or worse, you will understand the language. **Note: This may be too detailed for those who have not seen the film, so I advise reading it after a viewing.** Alex likes violence, sex, and Beethov…
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