B
I’m all in for inventiveness in filmmaking, especially in days like these, where it seems that endless sequels, reboots and franchise offerings have come to dominate the domestic movie industry. However, at the same time, that laudable sense of innovation needs to work, too, and, in the case of this latest feature from writer-director Shahram Mokri, that’s true but only to a certain extent. In what is undoubtedly one of the most unusual films I have seen in some time, the filmmaker plays with the concept of storytelling, presenting a project in which a domestic drama/thriller plays out amidst …
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