Check out my full review @ https://www.manuelsbento.com/disclosure-day-2026-a-breathtakingly-human-paradigm-shift-in-modern-sci-fi/ Rating: A- DISCLOSURE DAY is a fascinating, deeply hopeful return to sci-fi for Steven Spielberg, beautifully championing the concept of truth as a fundamental human right. Subverting the destructive tropes of typical alien invasion flicks, it favors radical empathy and genuine human connection over blockbuster chaos. Emily Blunt delivers a sensational, potentially career-best performance that anchors a truly incredible ensemble cast. Driven by exceptional c…
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Disclosure Day
Overview
A cybersecurity expert becomes a whistleblower after uncovering secrets about aliens, putting him on the run from a corporation. Meanwhile, a meteorologist experiencing strange phenomena joins forces with him to prove there's life beyond our understanding.
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Release date
10/06/2026
Votes
2,604
Popularity
249.2
Emily Blunt
Margaret Fairchild
Josh O'Connor
Dr. Daniel Kellner
Colin Firth
Noah Scanlon
Eve Hewson
Jane Blakenship
Colman Domingo
Hugo Wakefield
Wyatt Russell
Jackson
Henry Lloyd-Hughes
Casper Boyd
Elizabeth Marvel
Sister Maura
Hettienne Park
Serena
Tommy Martinez
Santiago
Gabby Beans
Angela Childs
Jeremy Shamos
Claypool
Brandon Wilson
Nathan Twining
Priyanka Kedia
Grace Zhao
Lora Lee Gayer
Terri
Lance Hoyt
Red Wrestler
Chavo Guerrero Jr.
Wrestling Referee
Brian Button
Blue Wrestler
Elliot Villar
Agent Diaz
Noah Robbins
Agent Munsey
Brian Hutchison
Wardex Aide
Amir Malaklou
Comm Agent
Jim Parrack
Cop
Clarke Thorell
KCXE Anchor
Elizabeth Stanley
KCXE Anchor
Nina White
KCXE Assistant
Emily Jackson
KCXE Makeup Artist
Margo Seibert
KCXE Floor Manager
Ron Song
Park
David Park
Interpreter
Ephraim Birney
KCXE Teleprompter Tech
Michael Gaston
General Dobbs
Stevie Ray Dallimore
Government Man
Sheetal S. Desai
MRI Technician
Carter Gill
Hospital Wardex Agent
Luke Lesko
Hospital Wardex Agent
Eboni Booth
Dr. Coleman
Robert Engel
Richard Nixon
Bob Greenberg
Jackie Gleason
Aaron Costa Ganis
Cold Room Med Tech
Miles Jacoby
Cold Room Med Tech
Martha Morgan
Cold Room Med Tech
Revon Yousif
Agent Reza
Elaine Baez
Agent Walrond
Lilli Stein
Agent Lowe
Cooper Jennings
Dispatch Agent
John Ford-Dunker
Gas Station Clerk
Rocco Pellegrino
Gas Station Boy
Calvin Ahn
Motel Room Agent
Adam Shippey
Motel Room Agent
Sebastian Arroyo
Motel Room Agent
David Sarussi
Mobile Unit Surveillance Tech
Dan Bittner
Airfield Agent Farley
Michael Oberholtzer
Airfield Agent Grady
Lucy Taylor
Jocelyn
Cuyle Carvin
Airfield Agent
Rebecca Henderson
Airfield Agent
Kenneth Tigar
Very Old Man
Julia Antonelli
Teenage Girl
Alexandra Avezova
Young Novitiate
Kathy Deitch
Diner Waitress
Viveca Chow
Kaitlyn
Delaney Anne Cuthbert
Young Margaret
Tyler Maxwell Renaud
Young Daniel
Jordan Gelber
KCXE Director
Brooke Morris
KCXE Tech Director
Michael Kaurene
Control Room EVS Tech
Gibson Frazier
Rock Center Director
Courtney Grace
NBC Anchor
David Auerbach
Rock Center News Producer
John Palacio
Rock Center News Producer
Camila Canó-Flaviá
Rock Center Young Producer
Nicole Toland
Rock Center Technician
Kit Williams
Kit
Brian Zeitchick
Rock Center Tech Director
Neil O'Brien
NBC Control Room Tech
Lionel Segee Moise
News Anchor
Jessica Kartalija
News Anchor
Sophie Carmen-Jones
British Female News Anchor
Pascal Yen-Pfister
French News Anchor
Kathiamarice Lopez
Latine News Anchor
Therese Plaehn
Woman on Subway
Alan Scott
Puppeteer
Michael Manzel
Puppeteer
Savannah Suderman
Puppeteer
Original Soundtrack
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Director Steven Spielberg’s filmography is legendary, to say the least. Movies like “Jaws” (1975), “Close Encounters of the Third Kind” (1977), “Raiders of the Lost Ark” (1981), “E.T.: The Extraterrestrial” (1982), “Schindler’s List” (1993) and “Jurassic Park” (1993) have gone down as classics in the annals of filmmaking. And, even though some of his works in more recent years haven’t quite lived up to the quality of past efforts, it’s comforting to know that he’s still got what it takes when he gets behind the camera. This is where his latest release, “Disclosure Day,” comes into play, easily…
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If this film was released in 1979-85 I probably would have loved it. Now that I'm 61 instead of 14, I see the world much differently. I really wanted to like this, since CE3k is one of my all-time favorite movies and Spielberg has never let me down so far. The production was terrible. JJ Abrams style lens flares all over the place that were nothing but distracting. The CG animals looked fake. The scenes that were supposed build tension, were boring and predictable. Who could have guessed the aliens would look like that? (Sarcasm). Since I worked at NBC's 30 Rock, I just had to laugh at how fak…
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**A Movie Made by Dinosaurs, for the Dinosaurs** I wanted to like Disclosure Day. The premise—a government agent racing to expose classified alien contact—should be tense, urgent, relevant. Instead, what we get is a film so divorced from how the actual world works that it feels like it was written by people who've been in a bunker since 1987. The core problem: when your protagonist needs to leak classified information in 2026 or whenever this is supposed to happen, why in God's name are we watching them scheme about getting it done through a news room? The movie shows thumb drives, AI, a…
Read full review →The filmmaking aspects of Disclosure Day are impressive, and they should be, considering Steven Spielberg’s illustrious career and the people he continues to work with, but the story feels so elongated for no reason, with no real conclusion, and the dialogue and humor are so awful when there is so much of each. https://bit.ly/DiscDay
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So.... the disclosure is an information dump and really is nothing. Everyone is an idiot. The special effects are poorly done CGI which is disappointing for Speilberg. It misses all the conspiracy theory beats that Close Encounters had. Everything that the movie should show you, that you want to see comes in the form of an information dump and everything that could have come in an information dump is what you see. Movie sort of sucks... sort of really sucks.
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I blame Christopher Nolan: this film is far, far, too long. The concept is quite interesting and complex, and the first half hour tees things up intriguingly but thereafter it just disappoints with a surfeit of dialogue and very little menace before delivering a conclusion that for someone who worked in live television for thirty years is implausible bordering on the downright preposterous. "Daniel" (Josh O'Connor) has a narrow escape from the nasty "Noah" (Colin Firth) who wants to get back a mysterious glowing device that he has pinched. Meantime, television weather forecaster "Margaret" (Em…
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Spielberg still has it. Blunt delivers a career-best turn as a meteorologist whose encounters spiral into a paranoid conspiracy chase that splits the difference between Minority Report and Close Encounters. Williams' score soars, the blocking is gorgeous, and the back half genuinely got me. Loses half a star for a baggy script and a finale that pushes too hard for tears. Still one of his best in years.
Read full review →**Nonsense plotholes** on a chain!!! Spielberg must have dimentia and the producers are betting on the sure degradation of logic thinking through the pseudo-education system. This is unbelievably bad. **Do not waste money** on it, you will surely regret it after 30 min latest when you ask yourself if another 90 minutes more just adds to the loss. It will. 2h time of your life gone, wasted without reciprocation.
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This is ET. If you saw ET in 82 or later when it came out on VHS, DVD, Blu-ray or streaming, then you know how this goes. This does not have the kids though, but replace them with less engaging and a lot less fun people, to make it more believable. It also gives a face to the villain, which is nice, and keeps the alien hidden and in the background for most of the movie. Much like in Starman (1984) there is a greater emphasis on what items the aliens have, and more about what they want, rather than the more straight-forward plot of ET. This isn't a bad movie, far from it. It is long, t…
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I feel like i'm rating this film lower if it wasn't a Steven Spielberg production. For the most part it features his usual polish which is above average in most cases. The camera movement and staging is as good as ever. There's even some car chase sequences thrown in to break up the pacing and give this film a jolt of energy and remind us of how much fun Spielberg's action can be. My biggest complaint is my disconnection with the characters. Everyone of the cast members do a great job with what they have to work with. Unfortunately there's not much to them. Perhaps Jane (Eve Hewson) is the …
Read full review →Extremely dated. Like a movie from the '90s when Spielberg was in his peak, even the soundtrack. Except you're watching this as a sensible adult in the digital age. The acting was atrocious, the plot took too long to develop, all the characters are idiots and everything was just dumb and convenient. The entire plot centers around exposing the existence of aliens to the world. But instead of just uploading undeniable proof online, they think a TV station in Kansas city is their only option. One scene, where Bono's daughter was talking to the nun on the phone, she ask if the nun had a…
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**Score: 3/10 — A Fictional Misstep in a Moment Demanding Truth** For the average movie-goer, this film would probably gain a higher score. It has the Spielberg pedigree, a solid cast led by the fantastic Emily Blunt, and a chase-thriller structure that delivers some entertainment. But for those of us who sit where we do on the precipice of actual disclosure, deeply invested in the reality of UAPs and Non-Human Intelligence (NHI), this film is an extremely flawed and very disappointing experience. The most frustrating part is its premise. The film explores a "what if" scenario of a publi…
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**Spielberg’s fade to black** Daniel (Josh O'Connor) is a cybersecurity analyst who stumbles upon classified video files proving the government has been capturing and torturing non-human beings ever since the Roswell incident. After becoming a digital fugitive, he joins forces with Margaret Fairchild (Emily Blunt), a TV meteorologist experiencing strange perceptual phenomena. Together, they launch a race against time to expose the existence of alien life to the world, all while escaping the clutches of an implacable government contractor played by Colin Firth, who is hell-bent on stopping t…
Read full review →Pretty decent and imo hopeful movie with a message I can stand behind. Acting felt sometimes lacking, given the big shots in it, and a little vit too much cgi was used (without much spoiler the train scene as prime example). Superb music and classic mystery Spielberg vibes. I would recommend watching it if there is no better movie in your watch list.
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