The key to making a successful political thriller is to maintain a taught sense of mesmerizing, edge-of-the-seat intrigue. Unfortunately, that’s precisely the element that’s missing in this overlong, annoyingly convoluted tale set in 1977 Brazil during the waning days of its military dictatorship. The story follows the life of Armando (Wagner Moura), a former university researcher targeted for manipulation and framing by a corrupt, influential businessman (Luciano Chirolli) when the educator refuses to play ball with him. This, in turn, leads to a death threat against Armando, who must do what…
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The Secret Agent
Overview
Brazil, 1977. Marcelo, a technology expert in his early 40s, is on the run. Hoping to reunite with his son, he travels to Recife during Carnival but soon realizes that the city is not the safe haven he was expecting.
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Release date
23/07/2025
Votes
695
Popularity
7.4
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Wagner Moura
Marcelo Alves / Armando Solimões / Fernando Solimões
Alice Carvalho
Fátima
Gabriel Leone
Bobbi
Isabél Zuaa
Tereza Victória
Maria Fernanda Cândido
Elza
Udo Kier
Hans
Robson Andrade
Clóvis
Rubens Santos
Natalício
Licínio Januário
Antônio
Joálisson Cunha
Frentista
Marcelo Valle
João Carpinteiro
Fabiana Pirro
Dra. Inês
Hermila Guedes
Cláudia
Márcio De Paula
Sargento
Gregorio Graziosi
Salvatore
Buda Lira
Anísio
Suzy Lopes
Carmen
Erivaldo Oliveira
Severino
Fafá Dantas
Das Dores
Geane Albuquerque
Elisângela
Isadora Ruppert
Daniela
Wilson Rabelo
Chico
Aline Marta Maia
Lenira Nascimento
João Vitor Silva
Haroldo
Luciano Chirolli
Henrique Ghirotti
Thomás Aquino
Valdemar
Roney Villela
Augusto Borba
Kaiony Venâncio
Vilmar
Carlos Francisco
Seu Alexandre
Ítalo Martins
Arlindo
Igor de Araújo
Sergio
Robério Diógenes
Euclides Cavalcanti
Enzo Nunes
Fernando Solimões
Tânia Maria
Dona Sebastiana
Laura Lufési
Flavia
Albert Tenorio
Policial Rodoviário 2
Alexis Geller
Susan Schaffer
Ane Oliva
Mãe na Repartição
Anjoum Noorani
Sanjay Jasieen
Ariel Sobral
Aristeu da Delegacia do Cordeiro
Beto Quirino
Guarda Noturno
Cely Farias
Mulher no Depoimento
Edilson Silva
Ronaldo da Repartição
Eron Villar
Gerente Cinema São Luiz
Fábio Calamy
Carteiro
Fabíola Líper
Amiga da Mulher Possuída
Flávio Melo
Pastor
Gal Moreira Borges
Débora
Ítalo Barbosa
Homem Morto
Isabelle Albuquerque
Garota de Programa
Jimmy Astley
Policial Valdomiro
Jorge Bispo
Garçom
Josinaldo Augusto Lins
Irineu
Lady Patricia
Funcionária Cinema São Luiz
Leoncio Rodrigues de Freitas Jr.
Servente IML
Lula Terra
Geraldo
Marília Linhares
Recepcionista
Mariza Moreira
Mulher Possuída
Mauriceia Conceição
Costureira de Hans
Nivaldo Nascimento
Lucio Motorista
Paulina Kelly
Mulher na Brasília
Priscila Ferraz
Joana
Rafael Lins
Médico Legista
Rafaela Pavin
Luanda
Renata Caldas
Advogada
Rogério Barbosa
Homem no IML
Silvestre Luís
Secretário
Stella Mulatinho
Foliã
Toinho Mendes
Marcão
Martin
Gangue da Bomba d'Água
Tomás
Gangue da Bomba d'Água
Nuno
Gangue da Bomba d'Água
Otto
Gangue da Bomba d'Água
Vicente
Gangue da Bomba d'Água
Kcal Gomes Ferraz
O Poeta de Rua
Original Soundtrack
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This film looks great. Brazil is such a cool place. I want to go live in this time...but as a rich white guy visiting who doesn't have to deal with the apparent horrors. Perhaps we could do a The Secret Agent 2 starring me. I'd probably have to duck while using the phone booth. I crouch well. Fun story. Interesting characters. Great! I bet this will get a Hollywood redux in a few years.
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First things first: if you’re expecting something from “U.N.C.L.E.” via Ian Fleming then you are probably going to be disappointed. This isn’t that kind of drama. Instead, it follows three characters portrayed by Wagner Moura who have to navigate a series of political intrigues that begin in 1970s Brazil. Academic “Marcelo” (aka “Armando”) has arrived in his home city of Recife under some sort of cloak of secrecy; is being shielded by the wily “Dona Sebastiana” (a scene-stealing Tânia Maria) and some other citizens more inclined to freedom and is soon searching the local files for information …
Read full review →Don't watch this as a "thriller", as it isn't thrilling. See it instead as an artistic take on how political corruption destroys everything in its path and does so with a nearly unstoppable force. Excellent and believable performances, great effort to re-create a 70s atmosphere, although the script could have taken a bit more polish.
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