B
When a filmmaker tackles a project that has a personal connection to the story, there’s always a risk that the director could be too close to the material to do it justice. And that would seem to be the case with the debut narrative feature from filmmaker Louise Hémon, who’s best known for her documentary work. However, that shift in genre does not seem to be the primary issue with this offering. The problem here is more contextual; indeed, it would appear that the director could be so acquainted with the subject matter that she assumes her audience may have the same degree of familiarity with…
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