It's definitely hard to pin down a personal favourite Wilder film, though I tend towards his earlier masterworks such as 'The Lost Weekend', 'Sunset Boulevard'...and THIS. He was one of the finest at getting straight through the bullshit and to the heart of all things noir (as the immortal Jean-Luc Godard stated, 'All I need to make a film is a man, a girl and a gun').
Barbara Stanwyck is one of my favourite actresses of the period, and is a classic 'femme fatale'. I've never been a huge fan of Fred MacMurray, but his 'nice guy' persona is used to sheer advantage by Wilder, and he end up b…
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A banner movie from film noir's classic era.
Double Indemnity is directed by Billy Wilder and Wilder co-adapts the screenplay with Raymond Chandler from the novella written by James M. Cain. It stars Fred MacMurray, Barbara Stanwyck and Edward G. Robinson. Music is by Miklos Rozsa and cinematography by John F. Seitz.
For a film lover such as myself it feels redundant writing a review for Double Indemnity, because quite simply there's nothing to say that hasn't been said already. The esteem it is held in is justified, it's a razor sharp noir across the board and can be put up as one of th…
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Perhaps the single best example of a film noir movie, _Double Indemnity_ (1944), stars Fred MacMurray, Barbara Stanwyck, and Edward G. Robinson. Based on a novel written by James Cain, the screenplay was co-written by Billy Wilder and the amazing Raymond Chandler.
Set in 1938 California, the story is based on the true-life 1927 murder of a married Queens, New York woman's husband who was killed by the woman's boyfriend after she took out a large insurance policy that contained a double-indemnity clause. In this movie, Phyllis Dietrichson (played by Stanwyck) takes out a life insurance polic…
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Very well done film noir from the 1940s with great performances by Fred MacMurray, Barbara Stanwyck and Edward G. Robinson along with good photography and direction from Billy Wilder. I've seen this one before but it's been at least 20 years though coincidentally, a scene from this was in a movie I recently watched (another re-watch) in Femme Fatale. **4.5/5**
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So poor old Tom Powers is married to the cold and calculating "Phyllis" (Barbara Stanwyck). When she starts to have an affair with his charismatic insurance broker "Walter" (Fred MacMurray) the two alight on a cunning plan to dispose of him and to claim the life insurance money. Being in the know about these things, "Walter" figures out a way in which they can double the payout. With their hands still rubbing together, the man's body is found on a railway track and when the police believe it accidental, the cash rolls in. All looks good until one of his colleagues "Keyes" (Edward G. Robinson) …
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**A magnificent "noir" with great actors, which was unlucky at the awards, and was immortalized by the public, surviving fresh to this day.**
I've previously had the opportunity to mention that I really like noir films, and this is another one that I had the pleasure of seeing and will save for occasional rewatches. Based on a good detective novel, the film is extremely intelligent, dark and well articulated. Made in 1944, still during the Second World War, it was nominated the following year for seven Oscars (Best Film, Best Director, Best Actress, Best Screenplay, Best Sound, Best Black-a…
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