From Black

“From Black” is a too-familiar take on the conventional occult genre story. There’s very little here that feels fresh or out of the ordinary, and the end result is a hackneyed crime thriller turned demon horror movie that will please no one. It isn’t scary and is way too serious, Thomas Marchese‘s direction is merely passable, and Luigi Janssen‘s score booms with such a considerable amount of in-your-face belligerence that it becomes laughable before the end of the opening credits (it’s so jarring that it feels like a “Saturday Night Live” spoof of what a horror movie is “supposed” to sound li…