This was a solid and highly enjoyable take on the spaghetti western by Rodriguez that rightfully put the director on the map and provided star Antonio Banderas the breakthrough he needed in the American marketplace. Though I love his work on the Sin City films, particularly the first, his incredible earlier trilogy will always hold a special place in my cinephilic heart. My recent project of coming to terms with classic Westerns has only further helped me enjoy these more recent contemporary releases.
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Desperado
Overview
El Mariachi plunges headfirst into the dark border underworld when he follows a trail of blood to the last of the infamous Mexican drug lords, Bucho, for an action-packed, bullet-riddled showdown. With the help of his friend and a beautiful bookstore owner, El Mariachi tracks Bucho, takes on his army of desperados, and leaves his own trail of blood.
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Release date
25/08/1995
Votes
3,190
Popularity
7.9
Antonio Banderas
El Mariachi
Salma Hayek Pinault
Carolina
Joaquim de Almeida
Bucho
Steve Buscemi
Buscemi
Cheech Marin
Short Bartender
Carlos Gómez
Right Hand
Quentin Tarantino
Pick-Up Guy
Tito Larriva
Tavo
Angel Aviles
Zamira
Danny Trejo
Navajas
Abraham Verduzco
Niño
Carlos Gallardo
Campa
Albert Michel Jr.
Quino
David Alvarado
Buddy
Angela Lanza
Tourist Girl
Mike Moroff
Shrug
Robert Arevalo
Opponent
Gerardo Moscoso
Priest
Peter Marquardt
Moco
Consuelo Gómez
Domino
Jaime de Hoyos
Bigoton
Cristos
Cristos
Richie Gaona
Case Opener
Tommy Nix
Fighting Barfly
Patricia Vonne
Bar Girl
Elizabeth Rodriguez
Mariachi Fan
Mark Dalton
Fighting Barfly
Reinol Martinez
Guy Scolding Niño Outside Tarasco Bar (uncredited)
Diego Sandoval
Empty Gun Man (uncredited)
Original Soundtrack
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**Action, shots, bullets and… “latinxploitation”?** I confess that I expected something more from this film. I was left with the feeling that it has little to offer us other than two tons of spectacular action scenes, with explosions, hundreds of gunshots and some gratuitous destruction. Even more: it reminded me of those films from the 70s, which we call “blaxploitation” because they reinforced a series of stereotypes about the African-American community: if we pay attention, we have almost all the stereotypes attributed to Latinos and Mexicans-Americans. In general, I'm not a fan of po…
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