We all lie to ourselves to be happy.
It's not until a film like Memento comes along, or that you personally have to deal with someone close who suffers a form of this subject to hand, that you get jolted to remember just how your memory is such a prized and treasured thing - and crucially that it's one of your key safety devices.
Christopher and Jonathan Nolan crafted one of the best films of 2000 based on those facets of the human condition. Their protagonist is Leonard Shelby, played with stupendous believability by Guy Pearce, who is suffering from a memory amnesia caused by a trauma …
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Excellent. I can't believe I've finally gotten around to watching all of Christopher Nolan's films (I have 'The Prestige' on DVD, but have yet to see it), but it's been well worth the wait. There are a couple of handful of English-language directors operating right now that I will make sure I watch every single film of, and Nolan has become one of those for me, and rightfully so. A very fine twist on the noir framework.
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‘Memento’ is director Christopher Nolan’s tribute to classic film noir tales of revenge and mystery. By adding a new twist to traditional conventions, Nolan is able to consume and grip the viewer throughout the entire film and for years after. The aspect that differentiates this neo-noir from its competitors today is its jumbled and complex narrative which continually moves backwards in time. The viewers first see the main character complete his revenge murder (a triumphant scene we usually associate with the ending of film noirs). We then begin to see events unfold backwards and the reason fo…
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Structuring the film in such a way that the viewer knows as little as the protagonist, the Nolan's have created a nifty puzzle that slowly unravels to its climax.
8/10
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Phenomenal.
What a movie! I had heard plenty about <em>'Memento'</em> prior to watching in regards to how high-quality it supposedly was, though didn't actually (thankfully) get spoiled on anything that occurs onscreen - I did know of the note-taking, though for some reason thought it was via post-it notes rather than polaroids - no idea why!
It's a very satisfying movie come the conclusion, concentration is very much the order of the day but the film does connect enough dots rather sharpish. I thoroughly appreciated the ending itself, Guy Pearce delivers the final moments supremely. Spe…
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I reckon what makes this work from Christopher Nolan is the creation of a cerebral maelstrom that is every bit as confusingly frustrating for us watching as it is for his protagonist "Leonard" (Guy Pearce). Now we don't know how he has developed his menacing ninja skills, but we do know that he is trying to get to the bottom of his wife's murder, and that he has virtually no short-term memory to help him. As he pieces things together, he has to leave himself notes, or polaroids augmented with scribbles so he can recall just how far he has got and whom he can (or cannot) trust. The facts that h…
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A similar style to Inception, pay attention or you’ll lose it
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89/100
A man uses tattoos, notes and photographs to hunt down his wife's killer as he has lost his ability to create new memories. This early effort by Christopher Nolan ("The Dark Knight", "Inception") is sheer genius. Starting at the end of the story and then continually leap frogging back short periods denies the viewer any memory leading up the current events placing them in the same mental condition as our protagonist. Despite this, the end, which is the beginning, still manages to provide a profound twist revealing a dangerously broken psyche. Masterpiece! -- DrNostromo.com
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