1, 2, 3, 4 (Light Cheeks)
Overview
ince the 1970s, Robakowski has been experimenting with the category of the author, transferring the authorship of his works onto the film camera. Implementing the strategy of biological-mechanical records, Robakowski continues his experiments, carried out since the 1970s, consisting in the transfer of the authorship of the film onto the film camera, as well as initiates relations between the mechanical medium and the human organism. On the one hand, it embraces collaboration, on the other, human struggle with the machine, extending from the “integration” of its logic and the attempts at its “anthropomorphisation”.
Release date
18/02/1993
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Original Soundtrack
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Tuesday Darkness
Age 12: Love with a Little L
Blood Orgy of the Leather Girls
The Five Obstructions
Moonwalker
Uranium Hex
Adrift
Transitions
Enigma: Nazo
Fantastic Vision
Perfect World
Long Film for Ambient Light
Heartbeat
Niebla
Bonn Experi
Stuttgart Filmwinter
Hermitage
Düsseldorf Blackbox
We Are Not Animals
Sungazer