Pitchfork and the Devil
Overview
A singular cinematic figure, San Francisco’s Mike Henderson became one of the first independent African-American artists to make inroads into experimental filmmaking in the 1960s. Henderson’s work throughout the 1970s and 1980s, from which this program of 16mm films is culled, thrums with a sociopolitical, humorous sensibility that lends his small-scale, often musically kissed portraits (which he later dubbed “blues cinema”) a personal, artisanal quality. - Film Society of Lincoln Center. Preserved by the Academy Film Archive in 2016.
Release date
01/01/1979
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Original Soundtrack
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Land Without Bread
Die Scooterfahrer
Different Local Things
Weiss ist die Farbe der Verlierer
Die Entstehung der beiden deutschen Staaten
DISCONNECTED
Audit
Pê
Women Visiting a City
Judit
Pedis possessio
Grandma's House
Man in the Moon
Second to None
Einstein-Rosen
On Top of the Earth
A Cauda do Dinossauro
Yuki
Monster
Scream