Prague Winter
Overview
So part of what's so surprising about Prague Winter is that it feels so lived in, so thoroughly grounded. It's not so much that Jennings makes Prague look like Manhattan (although there are commonalities in terms of architecture and the gaps of light between it). But the film restricts itself to sights on and around the tram, which provides an uncharacteristic linearity to the film. What's more, Jennings' status as a guest observer seems to bring out a humanism in his work, as he fixates on the elderly and, implicitly, the history to which they've been subjected. The post-Communist malaise hardens into grim acceptance, and this, along with the physical traces of Prague's history as manifested in the built environment, is what fascinates Jennings here. His camera is tender and unobtrusive, as you would expect from a filmmaker of his sensitivity.
Release date
01/09/2007
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Original Soundtrack
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My Prague Spring
More Dangerous Than Dynamite
Postmodernism: The Substance of Style
Take Care, Till Springtime
Well How Did We Get Here? A Brief History of Talking Heads
The Invisible Subtitler
Bald: The Making of 'THX 1138'
Le conte de Monte-Carlo
Novena
Who Trains My Hands to War
Fire On The Mountain
The Owls and the Orchard
Dark Matter
Mission: Impossible
The House in Karp Lane
Kolya
Makayla's Voice: A Letter to the World
Holding an Edge
Cult People
Geysers of the Yellowstone