By Kim Morgan filmnoiroftheweek.com “This is what they call the point of no return my friend.” Nightfall is a work of striking juxtapositions and tones that by picture end, come off like a wonderfully disarming person—you’re charmed, even a bit disturbed, but you’re not sure what to make of it all. It opens at night, in the neon lit, Los Angeles jungle shimmering with welcoming Hollywood haunts like Miceli’s, Firefly and Musso and Frank and ends within the blinding white snow of the more foreboding Wyoming Wilderness. It pits an older doctor and his much younger, artist friend against t…
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Nightfall
Overview
An innocent man turns fugitive as he reconstructs events that implicate him for a murder and robbery he did not commit.
Release date
09/11/1956
Votes
105
Popularity
1.6
Aldo Ray
James Vanning / Art Rayburn
Anne Bancroft
Marie Gardner
Brian Keith
John
James Gregory
Ben Fraser
Jocelyn Brando
Laura Fraser
Frank Albertson
Dr. Edward Gurston
Rudy Bond
Red
Bess Flowers
Woman at Fashion Show (uncredited)
Gene Roth
Bartender (uncredited)
Arline Anderson
Hostess (uncredited)
María Belmar
Spanish Woman (uncredited)
Orlando Beltran
Spanish Man (uncredited)
Steve Carruthers
Fashion Show Spectator (uncredited)
Robert Cherry
Man on Bus with Radio (uncredited)
George Cisar
Bus Driver (uncredited)
Lillian Culver
Woman (uncredited)
Annabelle Thiele
Model (uncredited)
Maya Van Horn
Woman (uncredited)
Winifred Waring
Fashion Commentator (uncredited)
Monty Ash
Clerk (uncredited)
Art Bucaro
Cashier (uncredited)
Pat Jones
Model (uncredited)
Lillian Kassan
Model (uncredited)
Betty Koch
Model (uncredited)
Jane Lynn
Model (uncredited)
Eddie McLean
Taxi Driver (uncredited)
Walter Smith
Shoeshine Boy (uncredited)
Joan Thorsen
Model (uncredited)
Original Soundtrack
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Aldo Ray metaphorically stumbles across mob money. Rudy Bond is a sadist who makes a game out of killing his victims, making them believe there is a contest involved. Brian Keith works with Rudy Bond, and is disgusted by him, till the sadist finally decides to try to kill him. James Gregory is investigating all of this, and feels he is in over his head, and discusses his insecurities with his wife. Sound familiar? Well, this was the original classic that McCarthy later went totally Hollywood formula with, but this one is the real deal. Here, the bad guys are just as mortal as the good guy…
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