Running to the museum lobby, believing it is the man who fascinated her but, instead, finding the other for whom she feels less than indifference, is not the best blow that life deals to arrogant women? But in any case, let's not expect to have the context - in generally avant-garde terms - of an indiscriminate abuse of pride in the sculptor Galika Galya - discarding suitors that Veroschka suggests to her, such as Mytia - until the complex warp of emotional needs - or psychologically inert - a stimulus of attraction for Andrei arises in her, when she accidentally bumps into him on the street, …
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