Stunning photography by Anatoly Zabolotsky in this inscrutable gem. Practically at every change of scene we will find a handful of gelatin silver plates with which anyone can lavish a superb professional display; for example: Sazón and Mikhas against the light in the lame cart, without perceiving a hanged man hanging under the bridge they are crossing, Felix, Vasili Yegorych's son with obvious mental retardation, sitting under that arithmetic dome feeding the pigeons, in short. The emotion black and white mutes for each type of camera movement. The beginning is inherently risky in style. A sma…
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