Moderately remarkable, not only for the care taken in creating the music especially for the film (Oliver Weeks' track ‘Needle ballet’ for the sequence in which the junkie Potol injects the drug into Byang's penis veins (0:33:45) is admirable for its lighting and framing), but also for the cinematography, which could not be more careful, especially in terms of contrasts, given that director Ronny Sen has also been a photographer since 2011, participating in collective and individual exhibitions. Now let's talk about the film's plot, which intertwines (as a pretext for the Cat Sticks matchbook o…
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