A rare work for Latin America and of true singularity, not so much because of the theme but because of the formal narrative composition that is of an amateur rusticity, but also of a rich texture since it begins first with the poetry of Gafur Gulyam, and then with the Passacaglia from Shostakovich's Violin Concerto #1 but in the flashback to the Extermination Camp it is to Soviet Jew Nehama Lifshitz performing Der Rebbe Elimelech; The German Johan Kultscher organizes a pictorial exhibition in the capital of Uzbekistan of some canvases found in Spielhausen, a secret Nazi factory; and here the c…
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