Stepanov's work is always permeated by an irreproachable pulsating humanism; This work focused on the austere partisan leader Batka will be no exception. But the background of the plot is not about the partisans defending their homes, their women and their freedom against the Nazis, but, for example, the painful attachment of the man behind the guerrilla, pining for his family from a distance, and with some binoculars feeling what he cannot touch about them, wondering whether to dare to hug them, kiss them, listen to them or maintain his exile so as not to cause them risk, if that one will be …
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