In the same year that this Egyptian film was released, whose drama restores confidence in the difficult but more advisable rural life, after the young Hamid suffers the painful ordeal of trying to get ahead in the city, pushed aside by circumstances, that same year ‘Bajo el cielo de Asturias’ (Under the Sky of Asturias) by Gonzalo Delgrás, with the same concern for the people of the countryside and the metropolis. From the outset, it is clear where the eyes and imagination of the child Hamid, standing at the train station, are wandering. The jump in time shows us a young man dissatisfied …
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