Anora

Marco-Hugo Landeta Vacas

2025-03-04

⭐ 9

(CASTELLANO) Sean Baker lo ha vuelto a hacer. Anora arranca con un ritmo frenético, casi como si fuera una fiesta descontrolada, y poco a poco va transformándose en algo completamente distinto. Lo que empieza siendo una comedia descarada e irreverente, va tomando un tono más serio, dejando claro que no es solo un cuento moderno, sino una historia con alma, con emoción y con mucho que decir. Buena parte de ese magnetismo viene de Mikey Madison, que se mete en la piel de Ani con una naturalidad asombrosa. Su personaje es un torbellino: simpática, ingenua a ratos, pero también tremendamente as…

Aqueronte72

2025-03-10

⭐ 3

A 23-year-old girl accepts the marriage of a young man 2 years younger than her and does that make her a heroine? Wow, in the world before, Constanza Chatterly, Elizabeth Bennet or even the young girl Effi Briest were heroines for fighting for self-determination and for their right to choose who loves them, but now the women who choose who will support them are heroines. Quelle epoque! Feigning empathy with a contemporary social plot, the misfortune of an erotic dancer and sex worker who regrets that her marriage will be annulled for convenience, the film takes advantage of all the commercial …

Antonio Alaminos-Fernández

2025-03-26

⭐ 8

**English review** With Anora, Sean Baker delivers what may be the rawest and most subversively romantic film in this year’s Cannes competition — a whirlwind of languages, currencies, and contradictions. Disguised as a raucous Cinderella story, Anora is less Disney and more Safdie Brothers by way of Brighton Beach, telling the improbable but utterly believable love story between a New York stripper and the reckless heir of a Russian oligarch. In Baker’s hands, this familiar tale of people from different worlds falling in love is recharged with political tension, sexual agency, and biting so…