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Controversy aside, in regards both to Sharon Stone's quintessentially-provocative noirish femme fatale (talk about a queen bee or alpha female!) and the backlash that the film portrayed lesbians as crazed psychos, Verhoeven both played a striking tribute to Sir Alfred Hitchcock, particularly San Francisco's based Vertigo and in use of the blonde bombshell, and simply continued his style of storytelling that had become his trademark in his pre-Hollywood, formative days in the Netherlands. Though it's not mentioned in the interviews of either star or director, the wonderful car chase brought to …
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